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Photographer, curator, and former director of photography at the Museum of Modern Art (MoMA), John Szarkowski remarked in *William Eggleston's Guide*, "While editing directly from life, photographers have found it too difficult to see simultaneously both the blue and the sky." Szarkowski insightfully revealed a notable gap between general and aesthetic visual understanding: while the former emphasizes identifying factual elements in an image (the sky), the latter transcends mere object identification, viewing it instead as an aesthetic component--a pure expanse of blue, valued purely as a color block in visual aesthetics. Such distinctions between general visual understanding (detection, localization, etc.) and aesthetic perception (color, lighting, composition, etc.) pose a significant challenge for existing Multimodal Large Language Models (MLLMs) in comprehending image aesthetics, which is increasingly needed in real-world applications, from image recommendation and enhancement to generation. To fundamentally advance the aesthetic understanding of MLLMs, we introduce a novel dataset, PhotoCritique, derived from extensive discussions among professional photographers and enthusiasts, distinguished by its large scale, expertise, and diversity. Additionally, we propose a new model, PhotoEye, an MLLM featuring a language-guided multi-view vision fusion mechanism for understanding image aesthetics from multiple perspectives. Finally, we introduce PhotoBench, a comprehensive and professional benchmark for aesthetic visual understanding. Our model demonstrates significant advantages over both open-source and commercial models on existing benchmarks and PhotoBench. 

When learning vision-language models (VLM) for the fashion domain, most existing works design new architectures from vanilla BERT with additional objectives, or perform dense multi-task learning with fashion-specific tasks. Though progress has been made, their architecture or objectives are often intricate and the extendibility is limited.By contrast, with simple architecture (comprising only two unimodal encoders) and just the contrastive objective, popular pre-trained VL models (e.g., CLIP) achieve superior performance in general domains, which are further easily extended to downstream tasks.However, inheriting such benefits of CLIP in the fashion domain is non-trivial in the presence of the notable domain gap. Empirically, we find that directly finetuning on fashion data leads CLIP to frequently ignore minor yet important details such as logos and composition, which are critical in fashion tasks such as retrieval and captioning.In this work, to maintain CLIP's simple architecture and objective while explicitly attending to fashion details, we propose E2 : Easy Regional Contrastive Learning of Expressive Fashion Representations. E2 introduces only a few selection tokens and fusion blocks (just 1.9\% additional parameters in total) with only contrastive losses. Despite lightweight, in our primary focus, cross-modal retrieval, E2 notably outperforms existing fashion VLMs with various fashion-specific objectives.Moreover, thanks to CLIP's widespread use in downstream tasks in general domains (e.g., zero-shot composed image retrieval and image captioning), our model can easily extend these models from general domain to the fashion domain with notable improvement.To conduct a comprehensive evaluation, we further collect data from Amazon Reviews to build a new dataset for cross-modal retrieval in the fashion domain.